New Releases: 2nd October 2020
Ben brings you all the new releases to grace The Vinyl Whistle this week, pop into the Headingley store to get your copy or order online on the links below. Here's his roundup of his Top 5 Picks of the week:
This limited 7" single release features the album's title track 'A Hero's Death' with the B-side track 'I Don't Belong' also featured on the album. The catchy lyrics of the A-side convey the much drearier feel and mood of the album, whilst the B-side captures their usual energy and raucous atmosphere they generate live.
UK electronic artpop outfit Hot Chip provide the perfect antidote to these strange and uncertain times with a euphoric and melancholic selection. Hot Chip’s ‘LateNightTales’ opens with the simplistic beauty of Christina Vantzou’s ‘At Dawn,’ before morphing in to the first of four exclusive tracks from the band - the floating, transcendent ‘Nothing’s Changed’, before Rhythm & Sound ft. Cornell Campbell serve up the heavy dub classic, ‘King In My Empire’.
The journey continues with Pale Blue’s ‘Have You Passed Through This Night’, a silky, cold wave disco track, while Suzanne Kraft’s ‘Femme Cosmic’ and Fever Ray’s ‘To The Moon and Back’ provide squelchy synth-pop. Furthermore, the punchy ‘Much To Touch’ from Bolton-born, Berlin based producer Planningtorock and an ethereal cover of Velvet Underground’s ‘Candy Says’ by our hosts add an element of displacement and detachment. Elsewhere, other highlights include an appearance from synth-pop auteur Kaitlyn Aurelia Smith with ‘Who I Am & Why I Am Where’ and new material from Alexis’ ‘other’ band, the improv-mavens About Group, along with the adventurous ‘Workaround Two’ from electronic experimentalist Beatrice Dillon and German composer, Nils Frahm’s beautifully evocative ‘Ode’. But it is left to Alexis’ father to have the final word, with an elegant excerpt from the daring ‘Finnegans Wake’ by James Joyce.
The Jaded Hearts Club features frontmen Miles Kane (The Last Shadow Puppets) and Nic Cester (Jet), guitarists Graham Coxon (Blur) and Jamie Davis (Transcopic), Matt Bellamy (Muse) on bass and drummer Sean Payne (The Zutons). The supergroup formed in 2017, as they focus on lost Northern Soul classics, supplemented by their raw, soulful takes on some famous standards. Expect a rock'n'roll snarl and fuzziness to classics 'I Put A Spell On You' and 'Reach Out I'll Be There'.
Davis says “We just love the story of how Northern England fell in love with American soul music even after it stopped having hits, and used that music to soundtrack a good night out.” Adds Bellamy “Like Jazz which reinvents old songs, we are continuing the tradition of how bands like The Beatles & The Stones started out - finding great soul and blues standards and recording them in a more modern style.”
Marking 25 years of the seminal Smokers Delight, Nightmares on Wax celebrates with a full reissue of the album plus these new tracks - 'Let’s Ascend' and 'Aquaself'. The former is an electro-jazz-funk groover whilst the latter features some ethereal strings floating above the deep bassline. This release is now seen for the first time on vinyl as Sonic Buds alongside an alternative Funk Mix of 'Dreddoverboard'.
A rumble on the horizon. Gritted teeth, nuclear fizz and fissured rock. A dab of pill dust from a linty pocket before it hits: the atom split, pool table overturned, pint glass smashed — valley fever breaking with the clouds as the inertia of small town life is well and truly disrupted. Here to bust out of Doledrum, clad in a t-shirt that screams Socialism and armed with drum machine, synth, pedal and icy stare are Working Men’s Club, and their self-titled debut album.
Their eponymous collection of songs is equal parts Calder Valley restlessness and raw Sheffield steel; guitars locking horns with floor-filling beats, synths masquerading as drums and Minsky-Sargeant’s scratchy, electrifying bedroom demos brought to their full potential by Orton’s blade-sharp yet sensitive production.
Standouts include the nonchalant existential groove John Cooper Clarke — centred around the realisation that yes, even the luckiest guy alive, the Bard of Salford himself, will someday die. The washily-vocalled, Orange Juicily-guitared White Rooms and People, Cook A Coffee which is like a lost Joy Division number from an alternate universe and the frenetic, pew-pewing A.A.A.A.
All formats come with a bonus CD Megamix.
Here are the rest of the new releases arriving at The Vinyl Whistle this week:
Aloe Blacc isn’t defined by genre. The album fulfills Blacc’s ambition to express the richness of familial love on songs like Glory Days and Family, while also making room for anthems about perseverance and support like My Way and Corner. Working with producers Jonas Jeberg, Jugglerz, Jon Levine, and Matt Prime, Blacc has crafted his most open-hearted album to date. Generous and warm, All Love Everything draws on soul, folk, and contemporary pop, reminding listeners that there’s no pigeonholing the human experience.
These songs mark Anohni’s first new music since the 2019 charity single Karma, a collaboration with Jade Bell and J. Ralph. They are It’s All over Now, Baby Blue - a cover of Bob Dylan’s 1965 folk song influenced by Symbolist poetry and Be My Husband - a cover of Nina Simone’s soulful 1965 song written by Andy Stroud. A viscous embrace, a pulsating pouring out, Anohni’s voice is above all else a vessel for political armament. The original tracks dating to 1965, a year marked by the Selma marches, the Watts Rebellion, and the landmark Voting Rights Act, illuminate the eerily parallel struggles of this year. In borrowing these songs, Anohni adopts their history along with her contemporary interpretations, respecting the lineage of the people’s movement while calling for its continuance today.
The Boys Next Door - Door, Door (RSD 2020)
40th Anniversary reissue of the first album featuring Nick Cave, before the band’s name morphed into The Birthday Party and prior to the formation of his next band, Nick Cave and the Bad Seeds. Includes the classic Shivers, which has recently been covered by the likes of Cat Power and Courtney Barnett, to name a few.
Under the Spell of Joy is a space-gospel record. While singer and multi-instrumentalist Bonnie Bloomgarden and guitarist Larry Schemel knew their intention for the album before a single note was written, the actual nature and direction of the music was a mystery. The initial inspiration for the record came from the jubilant spirit of Ethiopian funk records the band had been listening to on tour, but once they began to channel the songs it seemed like the music came from somewhere not in the past but in the future. In the weeks leading up to recording, Death Valley Girls relied on their subconscious and effortlessly conjured Under the Spell of Joy’s eleven tracks as if they’d tapped into the Akashic Chronicle and pulled the music from the ether.
Lana Del Rey reads fourteen select poems from her upcoming debut poetry book Violet Bent Backwards Over the Grass accompanied by music from frequent collaborator, Grammy Award-winning musician Jack Antonoff.
This will come as no surprise to those who’ve followed Gabriel since 2014’s Bishouné: Alma Del Huila, the critically-lauded, self-produced EP that put him on the map. Agüita, his first release for Jagjaguwar, is a sequence of impossibly diverse offerings ranging from trap anthems to string-drenched art pop ballads – a prismatic self-portrait, personal and universal all at once. The magic of Agüita lives in Gabriel’s ability to consolidate a range of truths into a focused, crystallized idea.
Rough Trade Records release the debut album by Californian group Hello Forever. Based in Topanga, California, the band live together in a pastoral setting high above the Pacific Ocean – not far from where Neil Young recorded After the Gold Rush or Captain Beefheart laid down the tracks for Trout Mask Replica, the group forever expanding and contracting, with members coming and going as they please. They fuse elements of the 60s West Coast sound with a DIY approach to music and creativity. Samuel Joseph and company have created a contemporary throwback to a vibrant era with a set of songs that establish the collective’s exquisite harmonies and colourful instrumentation.
Shiver is the exciting and beautiful second record from LA-based Icelandic musician Jónsi, featuring tracks with Liz Fraser from Cocteau Twins and pop icon Robyn - it's released on Sigur Rós’ own label Krunk. Not too long ago Jónsi was traveling through London, where he met up with iconoclastic producer A.G. Cook, who he admired for his boundary-breaking work with the PC music collective. Jónsi had made a career on sweeping music that plumbed the depths of the human experience and our connection to the natural world. Cook’s production exists at the opposite end of the spectrum: synthetic, sometimes abrasive, and often on the cutting edge of experimentalism. On paper, their collaboration is surprising, but Shiver is a beautiful record that pushes Jónsi’s otherworldly voice into startling new territories.
The follow-up to 2012's Black Prince Fury EP, and 2013's Jet Black Raider EP, Scottish composer Anna Meredith's debut full length Varmints is released via Moshi Moshi. Varmints is grand in its own way, a record of unusual scope and power, perfectly blending Meredith's love of big brush strokes with her eye for the devastating detail. Meredith manages to cloak high-minded experimentalism in playful pop sensibilty. "Pacing is a physical thing," she explains. "I can feel when stuff has to happen in a track. I knew I wanted Varmints to end privately but start confidently, have moments of privacy and moments of power and build'.
The biggest selling 12” single of all time in the UK, reissued and remastered from the original master tapes at Abbey Road Studios. Originally released on Factory Records in March 1983, the single has become the band’s most recognisable track.
The band’s sixth single and their first collaboration with DJ Arthur Baker. Originally released in August 1983, this new reissue remastered from the original master tapes at Abbey Road Studios.
Released in May 1984, Murder was originally recorded in Winter 1982 during the sessions for the Power, Corruption and Lies album. Peter Saville's cover art is a "night-time" version of the Thieves Like Us sleeve.
Originally released on Factory in April 1984, the title is taken from the Robert Altman movie Thieves Like Us. The cover design by Peter Saville is based on a painting by Giorgio de Chirico.
Midnight Manor, the much anticipated sophomore album of the six-piece rock outfit The Nude Party is released via New West Records. It takes bits of early 70's Rolling Stones, The Modern Lovers, The Velvet Underground and classic Southern rock, and makes something you can't help but put on repeat. The Nude Party shine a light on their past while at the same time moving towards a brighter future.
The set presents a compilation of concert highlights captured the world over personally selected by Taylor, May and Lambert from over 200 shows they have performed with several featured here becoming available for the very first time. These cover concerts from Rock in Rio, Lisbon, to the UK’s Isle of Wight Festival, Summer Sonic, Japan, selected UK and North America tour dates, and - from one of their very last performances before lockdown – the Fire Fight Australia benefit show. All formats include the band’s entire 22-minute Fire Fight Australia appearance in which they performed Queen’s original history-making 1985 Live Aid set in full: Bohemian Rhapsody, Radio Ga Ga, Hammer To Fall, Crazy Little Thing Called Love, We Will Rock You and We are The Champions.
Life Is Crazy, the accurately titled new record from Sean Nicholas Savage, is unlike anything we’ve heard from the cult balladeer. No drums or bass on the album, the accompaniment consists strictly of pure piano and lush strings, leaving Savage’s songwriting bare to the listener like never before. Life Is Crazy is lush with beautifully ambiguous melodies, reflections and new perceptions, all in a world of their own. The album is a masterpiece at a time of transition, in both the world and the oeuvre, from a unique songwriter and performer of the truest quality.
An amazing symphony of emotion, 8 movemnts which together take you on a 72-minute ride that leaves you exhausted and yet exhilarated. It's symphonic depth and stratosphere-surfing melodies more affecting with each subsequent listen. This is an album where happiness and sadness, melody and noise, darkness and light collide. Two brackets tell you everything.
It is the only album where Jónsi sings entirely in the wordless lyrics of Hopelandic. A desire to elide meaning and allow the listener to bring their own interpretation to the music, extends to the eight songs, all of which are nameless. The music is broadly divided into two halves, divided by a critical 36 seconds of silence. The first half of the album being lighter and more optimistic, and the second half bleaker and more melancholic, culminating in the thundering climax of Untitled #8, the closing song of every Sigur Rós show since the song was written in 2000.
West coast composer, artist, and producer Kaitlyn Aurelia Smith has chartered a pioneering career with multiple critically-acclaimed albums since 2015. She's continued to explore the endless possibilities of electronic instruments as well as the shapes, movements, and expressions found in the physical body's relationship to sound and color. It is this life-guiding interest that forms the foundational frequencies of her latest full-length, The Mosaic of Transformation, a bright, sensorial glide through unbound wave phenomena and the radiant power discovered within oneself. Smith's music doesn't capture a specific emotion as much as it captures the joys of possessing a body, and the ability to, with devotion and a steady open heart, maneuver that vessel in space by way of electricity to euphoric degrees.
The Ascension is the eighth studio album from singer, songwriter and composer Sufjan Stevens and is the long awaited follow-up to Stevens' Carrie abd Lowell. In the time between Carrie and Lowell and The Ascension, Stevens also released Oscar-nominated music for the Luca Guadagnino film Call Me By Your Name; a collaborative album entitled Planetarium with Nico Muhly, Bryce Dessner (The National) and James Mcalister; The Decalogue, a solo piano work performed by Timo Andres; and scored several works for ballet: Reflections (Houston Ballet) and Principia (NYCB). The Ascension is musically expansive and sweeping in thematic scope.
Is Love Enough? is the band’s sixth studio album and was recorded at Paul Weller’s Black Barn Studios in Surrey and produced by Stone Foundation’s founding members Neil Jones and Neil Sheasby. Paul contributes lead vocals to Deeper Love and also prominent backing vocals on Picture A Life. He also joins the band and plays guitar on three other tracks (Af-Ri-Ka, Help Me, Love’s Interlude (II)). Legendary actor Peter Capaldi provides a spoken word coda to the album, reading words by Vincent Van Gogh written about love. Additionally, two rising stars of the soul scene feature on the record. Durand Jones joins for a lead vocal on Hold On To Love and Laville sings lead on The Light In Us.
Grammy Award-winning singer / songwriter (Slipknot / Stone Sour), actor, and New York Times Best-Selling Author, Corey Taylor releases his widely anticipated debut solo album, CMFT, on Roadrunner Records. The first two singles 'Black Eyes Blue' and 'CMFT Must Be Stopped' illuminate the broad spectrum of this fiery and fearless rock ‘n’ roll opus, as Taylor touches on lifelong influences ranging from hard rock to classic rock, punk rock to hip-hop. On 'Black Eyes Blue' Taylor’s vocals soar with nostalgia, while on 'CMFT Must Be Stopped' his rhymes recall his work on Slipknot’s debut record and run alongside bulletproof bars from multi-platinum artist Tech N9ne and UK MC Kid Bookie.
Roger Waters‘ Us + Them concert film, which chronicles his 2017-2018 world tour, is released on CD, vinyl, blu-ray and DVD. Waters played 156 shows to 2.3m people with a setlist that included Pink Floyd classics from The Dark Side of the Moon, The Wall, Animals, Wish You Were Here and tracks from 2017’s Is This The Life We Really Want?. Directed by Sean Evans and Roger Waters, the film attempts to provide a sense of what it was like to ‘be there’ with Evans using state-of-the-art digital and audio technology available in the arenas and stadia around the world.